Artistic Director – Brandon Ray
Associate Artistic Director – Meghan Reardon
Casting Director – Laura Durham
Literary Manager - Jesse Cannady
Ensemble Liaison - Carrie Drapac
Director of Marketing – Josh Johnson
Director of Development – Krista Taylor
Photographer – Austin D Oie (www.austindoiephotography.com)
Company Manager – Emily Guthrie
Producing Director – Kyle Land
Technical and Facilities Director – Jarrod Bainter
Costume Designer – Izumi Inaba
Nick joined with Red Tape Theatre in 2009. Originally from Plymouth, Massachusetts, Nick holds a B.A. in Theatre from Westfield State College where he is a co-founder of the Student Theatre Association. He studied as an Acting Apprentice at the Actors Theatre of Louisville 07′ – 08′. Currently an Artistic Associate for Two Birds Casting. Red Tape credits: Enemy of the People, The Love of the Nightingale, Obscura: A Voyeuristic Love Story, The Gingerbread House, Elephant’s Graveyard, Stadium Devildare as well as numerous Fresh Eyes readings. Other credits; Rhino Fest. 09′, Hanger9′s Boys’ Life, About Face’s XYZ Festival – Man in Love, Sketchbook Festivals X, XI, and played Alfie in the Egg & Alfie show.
Last seen in Red Tape’s Church/Pullman, WA, Carrie joined the company after her involvement in their 2010 production of The Love of the Nightingale. She has had the pleasure of working on a wide variety of projects ranging from devised theatre to feature length horror films. Carrie’s favorite projects include a musical adaptation of the novel Hotel Sarajevo, silent short films about the Iraq War (Red, White and Blue) and metamorphosis (Tropism), and 1940′s musical fluff Gentlemen Prefer Blondes. She holds a BFA in Theatre from NYU’s Tisch School of the Arts, having focused on musical theatre in the CAP21 program and film acting at Stonestreet Studios. Carrie is a personal trainer, co-founder/owner of Comfy Fitness, and spent much of the last year developing and producing a kids’ fitness television concept.
Red Tape credits: Lear, The Skriker, Brand, The Love of the Nightingale, and Pullman, WA. Chicago credits: Measure for Measure (Goodman Theatre), Pride & Prejudice (Lifeline Theatre), understudy roles at Victory Gardens Theatre as well as About Face Theatre, and Othello, Romeo & Juliet, Much Ado About Nothing, A Winter’s Tale, Taming of the Shrew, and A Midsummer Night’s Dream all with Back Room Shakespeare Project. Regional credits; Michigan Shakespeare Festival’s Comedy of Errors and Romeo & Juliet, and North Carolina Shakespeare Festival’s King Lear and Much Ado About Nothing. Amanda holds a BFA from the University of Illinois at Urbana-Champaign, and is represented by Paonessa Talent.
Emily joined the Red Tape family in December 2010 and became Company Manager in April 2011. She has served as Scenic Designer for Lear, Skriker, Elephants Graveyard, and Tragedy: A Tragedy. As well as Properties Master for The Gingerbread House, Brand, Obscura, and The Love of the Nightingale. Originally from Cincinnati OH, Emily earned a BFA/Scenic Design from The Theatre School at DePaul University and is a graduate of the Properties Apprenticeship Program at Steppenwolf Theatre Company. Emily is a freelance designer and artist in Chicago. Area credits include Steppenwolf, Chicago Dramatists, TimeLine, A Red Orchid, Redtwist Theatre Company, The Music School at DePaul University, Highland Park Players, Emerald City Theatre Co, and Harpo Studios. Emily is currently the properties overhire at Steppenwolf Theatre Company.
Izumi is very excited to be joining the Red Tape ensemble. She has designed costumes for Obscura,Tragedy: a tragedy, Elephant’s Graveyard, and The Skriker. Earlier this season she was invited to be invited to be Red Tape’s resident costume designer. Chicago credits include works with A Red Orchid, Porchlight, Chicago Shakespeare, Chicago Dramatists and About Face, Griffin, Steep, Building Stage, The Hypocrites, Side Show, Mary-Arrchie, etc. She is a recipient of Jeff Award 2011 for makeup design of Cats (Theo Ubique Cabaret Theatre). MFA in Stage Design, Northwestern University.
Kyle is a freelance Director, Designer, Technical Director, Carpenter/Welder/Scenic Painter, and Stagehand. He has been a member of Red Tape Theatre Company since Technical Directing and Lighting Designing Enemy of the People, and has since served as Lighting Designer for Mouse in a Jar, Obscura, Church/Pullman Wa. and Tragedy: A Tragedy, as well as Assistant Directing for The Love of the Nightingale. Area credits include various work with Steppenwolf, Adventure Stage, Fillament, Last Match, Theo Ubique, Metropolis, New World Rep, Side Project, House, and Timeline; along with technical directing for the National High School Institute “Cherubs” Program for the last three years. Kyle came to Chicago by way of Emporia State University where he received a BFA in Theatre Arts and a BA in English, then stayed on to serve as Technical Director for four years after graduation. Back in Kansas, Kyle co-founded both L.I.T.E. and IF Theatre, and directed the inaugural shows for both companies: How I Learned to Drive andFool for Love. He also directed several shows at ESU including A Bright Room Called Day, The Woman in Black, and My Left Breast, as well as, scenic and/or lighting designing numerous productions including Waiting for Godot, Cabaret, and Urinetown.
Lona’s participation in Brand marked her 4th production in a Red Tape show. She was also featured in Red Tape’s Enemy of the People, The Love of the Nightingale and Obscura. Favorite roles include Picnic, Isn’t it Romantic. Cabaret, and Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean, at theatres in Tennessee and Florida. She founded and directed the Theater for Young Audiences in Gainesville, Florida, adapting children’s classics into a participatory form of theater. Lona heads the Government Relations program at Columbia College Chicago and especially enjoys raising money for the arts. Lona is very proud to be an ensemble member and believes in the mission and artistic vision of the theatre.
Brandon is Red Tape’s new Artistic Director, and was formerly the inaugural Artistic Director of Chicago’s New Leaf Theatre. While at New Leaf, he directed the Joseph Jefferson award-nominated productions of As It Is In Heaven and the US premiere of David Hare’s The Permanent Way. Other Chicago directing credits include Reckless and Accelerando at New Leaf, Three Hymns of Apathy at the side project, With Every Wish at Petri Dish Theatre and Beatrice and Beau at Collaboraction’s 9th Sketchbook festival. This Fall, he will direct the world premiere of Bilal Dardai’s The Sovereign Statement for the Neo-Futurists.
Brandon received his MFA in Directing from Illinois State University’s prestigious School of Theatre and Dance last May. He teaches theatre and literature at both Prairie State College in Chicago Heights and the University of St. Francis in Joliet. He currently lives in Frankfort with his wife Amy and three year-old son Charlie.
Meghan Reardon joined Red Tape in 2010 after playing Philomele in The Love of the Nightengale. She has since performed in Obscura, Church/Pullman, The Gingerbread House, The Elephant’s Graveyard, Lear and is proud to currently serve as Associate Artistic Director. Elsewhere, she has performed in Pool (No Water) with Vitalist Theatre, Be A Good Little Widow with Collaboraction, The Prime of Miss Jean Brodie with Signal Ensemble, Dracula with The Building Stage, and many more. She is a native Kansan and a proud Knox College graduate. She is represented by Paonessa Talent.
Recently moved to Chicago by way of Houston, Texas. He received his Bachelor of Fine Arts from Southern Methodist University studying theatre. There, he was seen in a variety of roles: La Discreta Enamorada (Hernando); The Laramie Project (Greg Pierotti, et al.); Trouble in Mind (John Nevins); Our Lady of 121st Street (Flip Johnson); An Ideal Husband (Lord Goring) and many independent projects. Mr. Washington also worked closely with Kitchen Dog Theatre and the Orchestra of New Spain under the direction of Tina Parker, Gustavo Tambascio and Grover Wilkins III. In Chicago, Mr. Washington has worked primarily with Red Tape Theatre. He was Hungry Townsperson inElephant’s Graveyard directed by James Palmer and now can be seen in Churchill’s The Skriker where he plays Yallery Brown directed by Eric Hoff. Mr. Washington is happy that Red Tape has been so welcoming to him and looks forward to growing as an artist doing cutting edge theatre.
William J. Davis
Mackenzie May Brown
Paul G. Miller
James D. Palmer